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This is Scientific American 60-Second Science. I'm Cynthia Graber. This'll just take a minute.

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Imagine finding a new painting by Renoir.

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In a way, Northwestern University chemist Richard Van Duyne did just that by revealing the original colors of what is now the faded remains of the original Madame Léon Clapisson.

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He showed what it currently looks like at the recent meeting of the American Association for the Advancement of Science in Chicago.

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"Somewhere near the edges where the frame was surrounding it, it protected the painting a bit from fading.

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And so we analyze what the molecules were under the frame to tell us what they should be now."

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Van Duyne is a pioneer in the analysis of the molecular composition of materials.

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In this case he identified a red paint called carmine lake that was known to fade.

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He then showed "a re-colorized version of what we imagine the painting was, based on the molecular information provided by this surface enhanced ramen spectroscopy."

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The new image is much richer, the reds more vibrant, and the woman in the painting pops out with greater depth.

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"Molecular analysis of paintings, that's really what's new.

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There've been many ways to analyze the inorganic content of paintings and the elemental composition, brilliant methods,

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and now we add molecular resolution to the whole enterprise."

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Thanks for the minute, for Scientific American 60-Second Science. I'm Cynthia Graber.

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